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Um für seinen einstmals brillanten und nun dementen Vater ein Gegenmittel zu finden, beginnt der Wissenschaftler Will Rodman mit Schimpansen zu experimentieren. Nach einem Vorfall im Labor bringt Will das Schimpansenbaby Caesar nach Hause und. Rise Of The Planet Of The Apes. (1,)IMDb h 40minX-Ray. An origin story set in present day San Francisco, where man's own experiments with. Planet der Affen: Prevolution (Originaltitel: Rise of the Planet of the Apes) ist ein US-amerikanischer Science-Fiction-Film des Regisseurs Rupert Wyatt aus dem. Rise of the Planet of the Apes. Planet der Affen: Prevolution. /db_data/movies/planetoftheapes2/scen/l/James-. Rise of the Planet of the Apes is a revolution; an action-packed epic featuring stunning visual effects and creatures unlike anything ever seen before.
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The team recorded a brief screen test featuring Heston, which ultimately convinced 20th Century Fox the film could succeed.
Heston played 20th-century American astronaut George Taylor , who travels to a strange planet where intelligent apes dominate mute, primitive humans.
Maurice Evans played the villain, orangutan Minister of Science Dr. Though they had not made the film with sequels in mind, its success led them to consider the prospect.
Planning for the sequel, eventually titled Beneath the Planet of the Apes , began two months after the original film's release.
Jacobs and Abrahams considered several treatments by Serling and Boulle, eventually rejecting them. The story follows Franciscus' character, an astronaut who, while searching for Taylor, inadvertently follows him into the future.
After encountering the apes from the first film, Brent finds Taylor imprisoned by a colony of subterranean human mutants who worship an ancient nuclear bomb.
The film opened on May 26, Despite a conclusion depicting the planet's nuclear destruction, Fox requested another sequel, creating a series.
Following the financial success of Beneath , Arthur P. Jacobs recruited Paul Dehn to write a new script with a brief telegram: "Apes exist, sequel required.
The producers hired a new director, Don Taylor. To work around the budget, as well as Beneath ' s seemingly definitive ending, the film took the series in a new direction by transporting Zira Kim Hunter and Cornelius Roddy McDowall, returning to the role after being absent from Beneath back in time to the contemporary United States, reducing the need for expensive sets and ape make-up effects.
Jacobs' wife, Natalie Trundy , who appeared as a mutant in Beneath and would play the ape Lisa in the next two sequels, was cast as Dr.
Stephanie Branton. Compared to its predecessors, Escape dwelt more heavily on themes of racial conflict, which became a primary focus through the rest of the series.
It was well received by critics. Clarke wrote that the burgeoning series had "the promise of being the first epic of filmed science fiction.
Fox ordered a third sequel. Lee Thompson to direct. Thompson had worked with Jacobs on two earlier films as well as during the initial stages of Planet , but scheduling conflicts had made him unavailable during its long development process.
Following Escape , Conquest is set in a near future where humans have turned apes into slaves; Caesar rises from bondage to lead an ape rebellion.
The film opened on June 30, Lee Thompson returned as director. Series writer Paul Dehn submitted a treatment, but illness forced him to leave the film before completing the script.
Battle follows Caesar as he leads the apes and their human subjects after a devastating war that destroyed much of the planet. He contends with both an attack by radiation-scarred human mutants and a coup attempt as he attempts to build a better society for both apes and humans.
John Huston played the orangutan Lawgiver in a frame narrative. It made a profit over production costs, but received poor reviews from critics, who regard it as the weakest of the five films.
Critics have offered various interpretations of the film's message and its significance for the series. Particular attention has been paid to the ambiguous imagery in the ending: set over years after the main events, the last scene depicts a statue of Caesar shedding a single tear as the Lawgiver recounts Caesar's story to an integrated audience of ape and human children.
By one interpretation, the statue cries tears of joy because the species have broken the cycle of oppression, giving the series an optimistic finale.
By another, the statue weeps because racial strife still exists, implying the dystopian future of Planet and Beneath is unavoidable.
As well as their profitable returns at the box office, the films earned very high ratings on television after their theatrical runs.
To capitalize on this success, Arthur P. Jacobs conceived of an hour-long live action television series to follow the films.
He first had the idea in during the production of Conquest , which he then anticipated would be the final film, but he shelved the project once Fox ordered a fifth installment.
Former Fox executive Stan Hough took over as producer for the television project, titled Planet of the Apes.
CBS picked up the series for its autumn lineup. Ron Harper and James Naughton played Alan Virdon and Peter Burke, two 20th-century American astronauts who pass through a time warp to a future where apes subjugate humans unlike the original film, the humans can speak.
Roddy McDowall returned to the franchise as Galen, a chimpanzee who joins the astronauts. The episodes portray Virdon, Burke, and Galen as they search for a way home, aid downtrodden humans and apes and avoid the authorities.
It earned low ratings during its run, a fact the production team attributed to repetitive storytelling and too little screen time for the apes who made the franchise famous.
Given the considerable production costs, CBS canceled the show after 14 episodes, the last airing on December 20, In , Fox reedited ten of the episodes into five television films.
Each film combined two episodes and in some markets added new introductory and concluding segments starring McDowall as an aged Galen.
Greene finds the show's position in the Apes timeline significant: set in , it occurs about years before Taylor's crash in the original film and years after the Lawgiver's sermon in Battle.
By depicting a future where apes dominate humans, it implies the Lawgiver's message of equality between man and ape has failed, giving weight to the more pessimistic interpretation of Battle ' s ending.
In , after the failure of the live-action series, NBC and 20th Century Fox agreed to adapt Planet of the Apes for an animated series. Doug Wildey , co-creator of Jonny Quest , took on most creative control as associate producer, storyboard director and supervising director.
As such, the show relied less on the themes and plot developments from Escape , Conquest and Battle and instead returned to the Vietnam War and Cold War themes prominent in the first two films.
They find the world populated by three groups: mute humans who inhabit desert caves, subterranean human "Underdwellers" fashioned after the mutants of Beneath and civilized apes who subjugate the humans.
Through the show, the astronauts become increasingly involved in the planet's affairs and in defending the humans against an ape invasion.
Zaius Richard Blackburn. The show did not achieve particularly strong ratings. The network considered producing a second three-episode season to complete the story, but this never materialized.
Fox initiated plans to relaunch the Planet of the Apes series in the s, but the project fell into a drawn-out and fruitless development phase—" development hell "—for over 10 years, one of the most protracted development periods in film history.
It began in , when Fox announced that Adam Rifkin , then a year-old independent film director, would develop a new Apes movie. At a Fox executive's invitation, Rifkin pitched a concept for Return to the Planet of the Apes , an alternative sequel to Planet that ignored the other four films.
In Rifkin's initial concept, Taylor's descendant Duke launches a Spartacus -like uprising against Roman-inspired ape oppressors led by General Izan.
Days before the project was scheduled to enter pre-production , Fox brought in new studio executives, who sent it back to development.
After several years in limbo, Fox returned to the Apes concept, this time with Oliver Stone as a producer. Stone brought in Terry Hayes as screenwriter and they developed a script titled Return of the Apes.
They discover the disease was engineered by advanced apes to ensure humanity's eventual destruction. The draft impressed Fox president Peter Chernin , but other executives were ambivalent about the action script, believing that it should be lighter.
At one point, executive Dylan Sellers insisted the script include a comic scene involving apes playing baseball as his "stamp" on the film and fired Hayes when he left it out.
This move caused Noyce to quit as well, and subsequently almost everyone involved in the project left for one reason or another.
Columbus hired Sam Hamm to write a screenplay taking elements from Boulle's novel and various unused treatments. In Hamm's script, an ape astronaut from a distant planet unleashes a devastating virus on Earth.
Scientists go to the astronaut's planet, where apes hunt humans; they locate a cure, but return to find Earth overrun by simians.
Schwarzenegger remained attached, but Fox found the script underwhelming. Columbus left the project in after his mother's death and James Cameron stepped in to produce.
Cameron intended to go in a "very different direction" with the script, but following the critical and financial success of his film Titanic , he dropped out of the project.
Fox approached a series of directors to take over, without success. In , Fox hired William Broyles, Jr.
Fox insisted on a July release date, but otherwise offered Broyles considerable creative license. Burton found the production arduous, largely due to Fox's strict release schedule.
The tight schedule meant that all stages of production were rushed. The film stars Mark Wahlberg as astronaut Leo Davidson , who accidentally travels through a wormhole to a distant planet where talking apes enslave humans.
He leads a human revolt and upends ape civilization by discovering that the apes evolved from the normal Earth primates who had accompanied his mission and had arrived on the planet years before.
The film received mixed reviews; most critics believed it failed to compare to the original. Much of the negative commentary focused on the confusing plot and twist ending, though many reviewers praised the special effects.
Inspired by news articles on apes raised as humans and advances in genetics, Jaffa conceived an idea for a film about a genetically enhanced chimp raised in a human household.
He and Silver pitched the concept to Fox as a way to reboot the Apes franchise by reinventing the story of the chimpanzee Caesar , the lead character of Conquest and Battle.
Fox was impressed and bought the pitch, but development struggled for five years as the production cycled through scripts, writers, directors and producers.
In the final script, Caesar receives enhanced cognition from a viral drug created by Will Rodman, who raises him.
After being imprisoned in a primate sanctuary, Caesar uses his ingenuity to launch an uprising. To portray ape characters realistically, the production avoided practical effects in favor of performance capture acting , partnering with New Zealand visual effects company Weta Digital.
Rise debuted on August 5, Critics reviewed it positively, especially praising the visual effects and Serkis' performance. The strength of Serkis' performance also inspired Fox to promote him for Oscar consideration; he was not nominated by Academy voters.
Peter Bundic as Newspaper Boy 1. Dylan Nouri as Newspaper Boy 2. Oona Service as Playground Girl. Camille Atebe as Playground Mom.
Temura Derek Morrison as Security Guard 1. Dean Redman as Security Guard 2. Hector Johnson as Security Guard 3. David Richmond-Peck as Board Member 1.
Adrian Hough as Board Member 2. Natalie Johnson as Board Member 3. Joey Roche as Todd Hunsiker. Sean Roche as Todd Hunsiker Teen. Qayam Devji as Todd's Buddy.
Yurij Kis as Worker. Riel Hahn as Zoo Guide. Sonja Bennett as Mother on Sidewalk. Michael Kopsa as Jerk Driver. Panou as SFPD 3. Mike Dopud as Northside Officer.
Mark Henriques as Driver. Stacey Schmidt as Jogger. Matteo Mazziotti as Child in Car. Willy Miles as Guy with Newspaper.
Fred North as Camera Ship Pilot. Allen Martin Jr. June 24, Full Review…. August 30, Full Review…. August 22, Full Review…. May 7, Rating: A Full Review….
February 9, Rating: B Full Review…. October 31, Full Review…. View All Critic Reviews Jun 12, Terrible, terrible idea executed fantastically.
Full review later. Thomas B Super Reviewer. Feb 23, I didn't realize until I read other reviews that the apes were not real. The story is interesting, the special effects amazing.
Red L Super Reviewer. Jan 27, That line was so forced This so-called "thought-provoking" and "emotionally driven" ride has me in loss. The overabudant CGI was too tough for me to handle and to buy in the first place.
It made me miss the old classic days of the 60s and 70s. Now that was a true revolution. Rupert Wyatt offers a potential prequel for the events that followed in the previous films; however, it is a bad sign to realize that the amount of entertainment this was providing me throughout was pretty much comparable to Michael Bay actually, he has done better!
With a sorry excuse to involve "human reflections" and characters we never care about beginning with Caroline and Will's father , this unrequired delivery certainly makes up for the level of disappointment that Burton brought a long with a remake, but utilizes the safest Hollywood escape route for cashing easy money: i.
Apply the CGI of the Avatar crew. Put a famous name in the leading role. Add family issues. Make it PG People sometimes miss them in action blockbusters.
I facepalmed twice. Extra half-star for a monkey riding a horse, although that would have worked better in a movie produced by The Asylum.
Edgar C Super Reviewer. Nov 25, From the get go I was pleasantly surprised by Rise of the Planet of the Apes.
Although the trailer did look pretty sweet, I must admit that when I first heard about them yet again delving into the Planet of the Apes franchise, I was incredibly bloody sceptical.
I'm glad now though, as this was as worthy a reboot as you could ever hope for, which as far as I'm concerned trumped even the original, not to mention how much it absolutely fucking brutalised that crap Burton came up with in Andy Serkis Burke and Hare, Lord of the Rings returns to motion capture glory as Caesar, super-intelligent chimp-lord, who, to be perfectly honest, was written infinitely better than any of the human characters.
When I first left the cinema my first thought was "Hm, that really didn't need to be a prequel to Planet of the Apes" which upon further thought, was actually a good thing!
It had the strength to stand out completely from its own laurels, not just those of the original, so not only was it a great movie, it was a great stand-alone film, completely separate to its predecessor.
It's far from perfect, and not exactly aimed at my interests, but I can say this for it. I wish more films these days would be like Rise of the Planet of the Apes.
Using modern technology's brilliant effects to tell a story, rather than instead of a story. Gimly M Super Reviewer.
See all Audience reviews. Caesar: Caesar is home. Dodge Landon: Get your stinking paws off of me, you damn dirty ape! Steven Jacobs: These apes are smarter than you think.
We've got to kill their leader Steven Jacobs: These apes are smarter than you think. We've got to kill their leader.
Caesar: [to Will] This is my home. Caesar: [to Will] Caesar is home. View All Quotes. Video Game Movies Ranked.
As the apes find their way into the forest, Will catches up to them in a stolen police car and warns Caesar that the humans will hunt them down and begs him to return home.
In response, Caesar hugs him and says, "Caesar is home". Will, realizing that this is indeed their last goodbye, respects Caesar's wishes.
The apes embrace their new lifestyle in the forest as news and police helicopters fly over San Francisco. In a mid-credits scene, Hunsiker leaves his house for work as an airline pilot, arriving at San Francisco International Airport for his flight to Paris.
It is revealed that he is infected with ALZ as his nose begins to drip blood onto the floor. A graphic then traces the spread of the virus around the globe via international flight routes, leading to a deadly pandemic setting the stage for the sequel.
In , screenwriter-producer Rick Jaffa was searching for a script idea. As Jaffa searched a newspaper articles clipping , one about pet chimpanzees that become troublesome to their owners and heartbroken for not adapting well to the human environment intrigued him.
As Jaffa eventually realized it fit the Planet of the Apes series, he called his wife and screenwriting partner Amanda Silver to express his ideas of such a chimpanzee eventually starting the ape revolution, and then the couple started developing the character of Caesar.
Jaffa indicated that "it's a reinvention" and if he had to pick between calling it a prequel or a reboot he would say it is a reboot: "It's a different story of who Caesar is, and how he came to be.
So it's really kind of hard to put a label on it. We are hopefully rebooting it. The script added other elements which the couple had researched, such as genetic engineering.
In particular, Caesar's treatment at the primate sanctuary parallels Taylor 's treatment as a captive in the original film. In a segment of a video blog post, director Rupert Wyatt commented on the originality of the plot: "This is part of the mythology and it should be seen as that.
It's not a continuation of the other films; it's an original story. It does satisfy the people who enjoy those films.
The point of this film is to achieve that and to bring that fan base into this film exactly like Batman Begins. Caesar is a revolutionary figure who will be talked about by his fellow apes for centuries This is just the first step in the evolution of the apes, and there's a lot more stories to tell after this.
I imagine the next film will be about the all-out war between the apes and humans. Filming began in July in Vancouver , British Columbia.
As the apes in Rise were meant to be actual, the producers decided not to use actors in suits. After considering real apes, instead Weta Digital created the apes digitally in almost every case through performance capture.
A maximum of six actors could have their movements captured, with larger ape crowds using fully digital animals animated using Weta's move library.
The Golden Gate Bridge set used both a physical set which was extended digitally, and a fully computer-generated model of the bridge that also included the ocean and nearby hills.
After shooting the actors playing humans interacting with others wearing the motion capture suits, a clean plate was shot with actors for extra reference.
Actor-stuntman Terry Notary guided the actors on realistic ape movement, while Weta studied the chimps in the Wellington Zoo for reference.
The digital apes also received detailed models with skeletons, muscles and nerve tissue layers for accurate animation.
Cast models of apes' heads and limbs helped the texture department replicate skin details such as wrinkles and pores.
Given the difference between human and chimpanzee facial muscles, the animators tweaked the performance through a new facial muscle system adding dynamics, ballistics, and secondary motion.
As the silent performance required expressive eyes, a new eye model was made to depict both greater accuracy in muscle movement in and around the eyes, and also tears, pupil dilation , and light refraction.
Along with that, they used Notary to play Caesar in stunt-filled scenes such as the Golden Gate Bridge scene. To turn the score into a "driving force that keeps audiences paying attention," Doyle employed an African-American chorus and focused on percussion and "low and deep" orchestra sounds.
Doyle collaborated closely with the sound department to make the music complement the sound effects, including writing a recurring theme based on their recording of a chimpanzee.
Rise of the Planet of the Apes made its debut in the United States and Canada on roughly 5, screens within 3, theaters.
Entertainment Weekly said that this was quite an accomplishment for the film since the month of August is a difficult time for films to make money.
The website's critics consensus reads, "Led by Rupert Wyatt's stylish direction, some impressive special effects, and a mesmerizing performance by Andy Serkis, Rise of the Planet of the Apes breathes unlikely new life into a long-running franchise.
It's good, canny-dumb fun. Regarding the story setting up possible sequels, director Rupert Wyatt commented: "I think we're ending with certain questions, which is quite exciting.
To me, I can think of all sorts of sequels to this film, but this is just the beginning. We're trying to plant a lot of the seeds for a lot of the things you are talking about in terms of the different apes and so forth.
Burns  and Mark Bomback. Taking place ten years after Rise , Dawn follows Caesar's growing nation of evolved apes.
On January 6, , 20th Century Fox announced a third installment with Reeves returning to direct and co-write along with Bomback, with a planned July release.
In December 3, , it was reported that Wes Ball is currently set to direct an untitled Planet of the Apes film. However, back in August , it was confirmed that any future installments would take place in the same universe first established in Rise.
From Wikipedia, the free encyclopedia. Theatrical release poster. Conrad Buff Mark Goldblatt. Release date. Running time.
British Board of Film Classification. Archived from the original on July 17, Retrieved June 28, Box Office Mojo.
Retrieved July 14, Archived from the original on June 24, Retrieved March 28, Retrieved July 13, Los Angeles Times. Archived from the original on August 5, Retrieved August 7, Fox Movies.
Archived from the original on April 17, Archived from the original on August 13, May 22, Retrieved August 2, Archived from the original on August 28,
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Caesar [the main ape] is the reason to see this daft, breathless picture. David Thomson. Rise of the Planet of the Apes is spectacle with a kick: the transcendence of the normal in creatures so like ourselves is both an entertainment and a needling rebuke to human vanity.
David Denby. The action scenes particularly a battle between humans and apes on the Golden Gate Bridge are inventively spectacular, and the story at the movie's core is evocative and engaging.
Bruce Diones. Distinguishes itself from other ill-conceived reboots in general, and from Tim Burton's disastrous remake in particular, by looking with fresh, simian eyes at its core conflict between human and primates.
Nigel Floyd. As a summer blockbuster Rise of the Planet of the Apes won't regenerate any brain-cells, but it doesn't forget a sense of humanity while delivering its package of thrills.
Anthony Quinn. Wyatt proves himself a highly skilled action merchant, packing the film with dynamic, sometimes disorienting camera movements and coming up with some memorable imagery David Sexton.
Every now and again, a film comes out and totally surprises you. Rise of the Planet of the Apes is one of those films. Kelechi Ehenulo.
A breath of fresh air, not only in the world of summer movies, but as a reboot in general. Matthew Lucas. Could have easily rested on the CGI and action and been a satisfying film, but there is heart and soul here, too -- thanks to Caesar, a fully fleshed-out and complex character.
Micheal Compton. It is frustrating in places, but overall, it's entertaining and even somewhat moving. Abbie Bernstein. The film looks good -- Caesar is a real character, not simply a futuristic fantasy created to prove a point.
Kelly Jane Torrance. Perhaps the most brilliant narrative move in a host of brilliant narrative moves executed by Rise of the Planet of the Apes is that it's an "end of the world" movie that manages to make us forget it's an "end of the world" movie.
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Add Article. Rise of the Planet of the Apes Critics Consensus Led by Rupert Wyatt's stylish direction, some impressive special effects, and a mesmerizing performance by Andy Serkis, Rise of the Planet of the Apes breathes unlikely new life into a long-running franchise.
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How did you buy your ticket? View All Photos Movie Info. A single act of both compassion and arrogance leads to a war unlike any other -- and to the Rise of the Planet of the Apes.
The Oscar-winning visual effects team that brought to life the worlds of Avatar and Lord of the Rings is breaking new ground, creating a CGI ape that delivers a dramatic performance of unprecedented emotion and intelligence, and epic battles on which rest the upended destinies of man and primate.
Rupert Wyatt. Rick Jaffa , Amanda Silver. Dec 13, The series, and particularly the live-action Apes television show and the Return to the Planet of the Apes cartoon, generated numerous toy and merchandising tie-ins.
During the s, Fox licensed around 60 companies to produce about different Apes products, including action figures and playsets, model building kits, coloring books, book-and-record sets , trading cards, toy weapons , costumes, apparel, branded tableware, and lunch boxes.
This level of merchandising was unusual for the time and the success of Apes merchandise may have inspired the campaigns that later became commonplace for films and television series.
In , 20th Century Fox Videogames developed a Planet of the Apes game for the Atari , which was to be the first computer game based on the series.
The game was still in the prototype phase when Fox shuttered its game division during the video game crash of and never saw release.
It was assumed lost until , when collectors identified a prototype, found earlier in a case labeled Alligator People , as the missing Apes game.
A video game based on the series did not appear until Fox Interactive began developing a Planet of the Apes game in for PC and PlayStation as a tie-in to the long-gestating remake project.
Fox and developer Visiware proceeded with the game when the project went into limbo, creating their own story based on Boulle's novel and the original films.
Fox Interactive's decision to co-publish with another company, Ubisoft , further delayed the game's release. Despite its long development, the game missed the debut of Tim Burton's Planet of the Apes film by two months;  it finally appeared on September 20, , to mostly negative reviews.
Players create and spread a "simian flu" virus to eradicate humans while helping apes survive. The player controls a chimpanzee attempting to escape a human detention facility.
Critics consider race to be the Planet of the Apes series' primary theme. Each film shifts the power balance so that the audience identifies sometimes with the humans and at other times with the apes.
Several critics have written that the reboot films downplay this theme from the original series, removing the racial subtext of conflict between humans and apes.
These critics generally argue that this is to the films' detriment, writing that it softens the series' edge,  leaves it thematically shallow,  and marginalizes non-white characters;  several critics have written that the films appear to invoke a " post-racial America ", rather than exploring issues of race.
The Cold War and the threat of nuclear holocaust are major themes introduced in Rod Serling's original Planet of the Apes script.
Questions of animal rights also figure heavily in the series; Greene considers this related to the racial themes.
Planet of the Apes received popular and critical attention well after production ended on the original films and television series.
Planet of the Apes had a wide impact on subsequent popular media. In terms of production, the series' success with sequelization, spinoffs and merchandising established a new model of media franchising in Hollywood filmmaking, in which studios develop films specifically to generate multimedia franchises.
More direct influence can be seen in DC Comics ' — series Kamandi: The Last Boy on Earth and the Japanese franchise Time of the Apes , which concern human protagonists in post-apocalyptic worlds ruled by talking animals.
Interest in the series resurged in the s, as plans for a new film and other media circulated. Greene attributes this renewed interest to a combination of "pop culture nostalgia and baby boomer economics", as well as a "political ferment" rising at the time that hearkened back to the period when the films were first released.
Especially after the s, artists in diverse media referenced, incorporated, or were otherwise influenced by the series.
Planet of the Apes turned up in songs by various musicians, allusions in films, comedy bits by Dennis Miller and Paul Mooney , and an episode of Saturday Night Live hosted by Charlton Heston.
The Simpsons parodied the series several times. The series' impact has extended to the political sphere, and groups of various leanings have employed its themes and imagery in their discourse.
Greene writes that these uses invert the anti-racist message of the films. The series' themes and imagery have been invoked in political discussions on topics as varied as s culture, urban decay, contemporary wars, and gun violence.
The following table shows the cast members who played the primary characters in the nine films to date. Planet of the Apes.
For other uses, see Planet of the Apes disambiguation. Main article: Planet of the Apes novel. Main article: Planet of the Apes film.
Main article: Beneath the Planet of the Apes. Main article: Escape from the Planet of the Apes. Main article: Conquest of the Planet of the Apes.
Main article: Battle for the Planet of the Apes. Main article: Planet of the Apes TV series. Main article: Return to the Planet of the Apes.
Main article: Rise of the Planet of the Apes. Main article: Dawn of the Planet of the Apes. Main article: War for the Planet of the Apes. Main article: Planet of the Apes comics.
For more details on the reception of each film, see the "Reception" section in each film's article. Main article: List of Planet of the Apes characters.
Rotten Tomatoes. Retrieved August 23, Box Office Mojo. New York Magazine. Retrieved September 1, Retrieved July 13, Retrieved September 3, Retrieved October 28, The Hollywood Reporter.
Retrieved October 20, Deadline Hollywood. Retrieved May 14, Retrieved January 8, Retrieved October 2, Retrieved October 13, Retrieved July 12, Retrieved August 13, Flickering Myth.
Retrieved April 19, July 6, Retrieved April 5, We Got This Covered. April 3, Retrieved December 9, Retrieved December 3, Discussing Film.
Retrieved February 17, Archived from the original on September 14, Retrieved January 27, Retrieved January 12, Los Angeles Times.
Retrieved November 27, Retrieved December 4, Archived from the original on December 11, Retrieved August 21, September 6, Retrieved August 20, Retrieved August 12, Retrieved January 3, Retrieved May 3, Retrieved January 30, Baker Book House.
Retrieved March 18, Film L. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. Trailers and Videos.
Crazy Credits. Alternate Versions. Rate This. Director: Matt Reeves. Added to Watchlist. From metacritic. Everything That's New on Netflix in September.
Top 25 Box Office of IMDb Picks: July CinemaCon: Top 10 Movies. Top-tier Films. Use the HTML below. You must be a registered user to use the IMDb rating plugin.
Nominated for 1 Oscar. Edit Cast Cast overview, first billed only: Andy Serkis Caesar Jason Clarke Malcolm Gary Oldman Dreyfus Keri Russell Ellie Toby Kebbell Koba Kodi Smit-McPhee Alexander Kirk Acevedo Carver Nick Thurston Blue Eyes Terry Notary Rocket Karin Konoval